Showing posts with label bass effect pedals. Show all posts
Showing posts with label bass effect pedals. Show all posts

Array 4 String Bass (Satin Black) Review

Array 4 String Bass
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I have the Traben Array 4, and let me tell you it is THE standard in Bass guitars. I have played others, and none come close. I could have gotten any bass on the market, but after playing a Traben, I was sold. Second to none!!

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Product Description:
The Traben Array features a new sleek body design that islight and balanced.It has a basswood body and aNorth American maple neck. The Array features active electronics and a Traben P-J pickup configuration. BIGGER Bridge, B...

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BOSS LMB-3 Bass Limiter Enhancer Pedal Review

BOSS LMB-3 Bass Limiter Enhancer Pedal
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This pedal is a very good compressor/limiter which does not color or enhance your sound and does not produce unwanted noise UNLESS you use the enhance feature knob which is unusable since if anywhere above 10 Oclock it produces too much hiss. I keep it turned off or almost off. What this pedal does for me is it takes my bass and allows me to slap it as hard as I can without getting any unwanted harsh sounds. It smooths out my tone is and makes me sound like a better player with a better bass. While disenaged it's not true bypass, but is transparent. I have no reason not to keep it on and it's the only pedal I continually use for my bass.

For guitar I have an arsenal of pedals.

For bass it also works better than the RNC (which is great for everything else, except bass), the CE-3, which is designed for guitar unless you have it Modded, the j-station bass/limiter and every software compressor/limiter I have tried.

If you want to get rid of your Bass's harsh tones buy a $1000 on a good made in America J-Bass and have it professionally set up or use this pedal.

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Product Description:
Smooths out your playing by eliminating harsh volume peaks, even when using dynamic slap and pop techniques. Ratio and Threshold knobs allow precise control of limiting parameters. Connectors - INPUT Jack, OUTPUT Jack, and AC Adaptor Jack (DC 9 V) Power Supply - DC 9 V - Dry Battery 9 V type (6F22/9 V) (included), AC Adaptor PSA series (optional) Dimensions - Width 2-7/8 x Depth 5-1/8 x Height 2-3/8 (73x129x59mm) Weight - 1 pounds (0.4 kg)

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MXR M182 El Grande Bass Fuzz Pedal Review

MXR M182 El Grande Bass Fuzz Pedal
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I decided to buy the El Grande after watching the youtube review by the "Bass Whisperer".One of the things he says about the pedal is "that El Grande, she's a hot one" and I gotta tell you, he speaks the truth.This pedal is HOT.I think it must be powered by depleted uranium or something, because it pours out searing hot liquid magma fuzz with barely a nudge of the controls.So let's break it down:

CONTROLS:

El Grande has your three basic controls - volume, tone, and fuzz - you can guess what each of them do.It also has a "deep" button, and some tweakable controls on the circuit allowing you to add or subtract 15db at either 87Hz or 113Hz (those controls are activated by switching the "deep" button ON).I would recommend against selecting the 113Hz setting, as it really muddies up the tone with the 15db boost.

SOUND:

As I said, this puppy is HOT.Unity is easily achieved with the volume knob no higher than 9:00 - turning it past 12:00 will result in your ears literally catching on fire.Tone-wise, I like keeping it around 2:00-3:00 so I can get access to those treble frequencies that cut through the mix so pleasingly.Even at that setting, your deeper frequencies remain fairly intact, but you can always hit the "deep" button if you feel you are losing them.For the fuzz setting, I keep it real low - 7:00 or 8:00 - and even still the fuzz is extremely aggressive.Again, I only recommend turning the knob past 12:00 if you are a fan of spontaneous combustion.

When I first tried this pedal out, I was running it DI into my computer via garageband and then out thru headphones, and I was very unimpressed with the tone.I thought it was flat and muddy.It wasn't until I went to band rehearsal and played it through my amp that I got to really hear it's true potential.Every time I hit the switch everybody in the room immediately focused on me with slack-jawed, dumbfounded grins on their faces.It cuts through the mix like an alien's acid spittle through the hull of a space ship.

CONSTRUCTION / DESIGN:

El Grande is your basic pedal design, and it's well enough constructed.Not inspiring in it's beauty, but also not falling apart in your hands.The knobs turn a bit too easily for my taste - I find sometimes that in stomping the switchI accidentally adjust the volume and fuzz knobs.Other than that it's nicely compact and won't take up too much space on your board.Bypass is true bypass, which is nice.

SUMMARY:

If you want just a standard fuzz, one with the capacity for subtlety and nuance, you should go elsewhere.El Grande is an out of control, balls to the wall nutjob of a fuzz pedal.If it were a person it would condemned to a maximum security psych ward.It's loud, aggressive, harsh, intense, heavy, and just plain mean.It's definitely not for everybody, but I really love it.

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Product Description:
The El Grande Bass Fuzz, the latest offering from MXR Bass Innovations, is a versatile and brutal fuzz designed just for bass. We took a classic 70's fuzz circuit, re-tuned it for more low end, and added a DEEP switch that delivers up to +15dB of monstrous bass that is internally adjustable between 87Hz - 113Hz. And that's not all: Volume, Tone, and Fuzz controls let you sculpt your tone with precision to get everything you need - from searing, sustained upper-register chords to punchy, growling low B's - without sacrificing low end or clarity. The El Grande comes in a lightweight but durable aluminum casting with the same high-quality jacks and switches that have made MXR pedals the road-ready standard on pedal-boards around the world for over 30 years.

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Dunlop Bass Wah Wah Pedal Review

Dunlop Bass Wah Wah Pedal
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This wah is the bomb.I was playing some funk with this pedal. It's built like a tank. This pedal is a must for any bassist.

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Product Description:
The first wah pedal designed by bass players for bass players, the 105Q incorporates a new proprietary potentiometer and custom EQ circuitry, specifically optimized for bass frequencies.

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Zoom B2.1U Bass Effects Pedal with USB Review

Zoom B2.1U Bass Effects Pedal with USB
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I have one of these for 2 years by now, and it is my main support when playing with multiple bands. I have 3 basses, 4, 5 and 6 strings, each one for a differente kind of sound, heavy metal, progressive rock, world music, and all of them are well served by the effects presented here. In fact one cannot program the different effects without the manual, not all the names are direct, but, hey, its not a software tool, earn your time reading the manual. The compressor is not so good as it could be, and there are minor complaints about the usefullness of the expression pedal (it's not completely programmable as I would like to), but in general it work very well. It has multiple possibilities, tons of reverbers, amp simulations and effects, I can control the way I sound with a very good precision, emulate many different famous players, and change one way to another almost without noise.

I love the zoom B2.1u that I've just bought its bigger brother, the Zoom B9.1ut.

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Product Description:
Get the bass sound you envision with the Zoom B2.1u. With 13 amp and stomp box models, 47 bass-centric effects, a six-band EQ optimized for bass guitar, two different bass synthesizers, and plenty more, it's perfect for both stage and studio.


A bass multi-effects unit that's perfect for stage or studio. Click to enlarge.
96 kHz sampling brings out the original sound character of the bass
The fundamental frequencies of an electric bass are about 40 to 600 Hz, but harmonics go all the way up to the ultrasonic frequency range. Many conventional pedal effects make the low end sound thin and lifeless. This usually is not only because of insufficient response in that range, but also because the harmonics are not handled properly.
The B2 series from ZOOM makes such problems history. 24-bit resolution and a sampling frequency of 96 kHz ensure signal processing power on a par with the best rack-mount devices. The dynamic, wide-range bass signal retains its full impact, and the result is clear, powerful sound that remains a distinct presence also when playing in a band ensemble.
ZOOM original 32-bit DSP ZFX-3
The heart of any multi-effect device is its processor and decoder section. ZOOM elevates performance to the next level with its newly developed ZFX-3 chip. 32-bit architecture means outstanding accuracy and smooth and detailed signal processing. Fine nuances of fingering and touch come through without any deterioration.
Great bass amp sounds for any situation
Sophisticated bass amp modeling allows you to adjust parameters such as speaker cabinet characteristics and low-range response in three levels. Get the dynamic, high-impact bass sound of a large cabinet even with flat-response systems. This is handy when using headphones or studio monitors, or when playing through a small combo amp or other bass amp with low output power. Alternatively, turn the cabinet effect off and use only the characteristics of the amp head. Create your very own bass amp sound and get it whenever and wherever you want, even when using a series of different bass amplifiers on stage.
32-bit architecture ensures outstanding performance and allows smooth and detailed signal processing.
Built-in six-band EQ are optimized for bass guitar.
Control effect parameters in real-time with the built-in expression pedal.
Bundled with Cubase LE DAW software.
Six-band linear EQ or two-band parametric EQ offer total flexibility
Center frequency allocation and filter slopes of the built-in six-band EQ are optimized for bass guitar. Peaking type filters in the middle range (150Hz, 450Hz, 1kHz, 3kHz) are augmented by shelving type filters at the low and high end (70Hz and 6kHz). This ensures the shortest possible route from creative idea to actual sound. Further flexibility is offered by the possibility to switch to a two-band parametric EQ, for delivering a pin-point boost or cut. The B2 series lets you really take control.
Two bass synthesizer types with different filtering and internal waveforms
The full-fledged bass synthesizer uses the built-in DSP sound source triggered by the input bass sound. Select from a choice of three waveform settings (sawtooth, square, PWM) and create sounds of incredible power and resonance. Two types of filtering with excellent tracking are also available, for playing melodious solo phrases.
13 different bass amp and stomp box modeling choices
By digitally simulating the clipping action of analog devices such as tubes and diodes, the unit faithfully duplicates the characteristics of tube amps and vintage effects. Going far deeper than the superficial "tone", this also includes elements such as depth and dynamics. Freely adjust the mix between drive sound and original sound to create deep distortion while your bass delivers a real punch.
47 high-quality effects implemented with 32-bit processing
Nine modules dedicated to aspects such as dynamics, drive, modulation, and ambience offer a total of 47 effects. Because the effects are optimized for the bass guitar range, you can freely create various sonic scenarios without impairing the bass foundation of the ensemble sound. A limiter/compressor lets you control peaks and ensure that levels are matched. The auto wah and resonance filter are indispensable for playing that funky sound. The octaver creates a wave of energy in the ultra-low range. The defret effect gives you the sweet tone and smooth transients of a fretless bass. Other features include delay with settings to 5000 ms and hold function, tape echo for that vintage feeling, crystal-clear stereo chorus, as well as flanger, phaser, pitch shifter and many other studio-class effects.
The right tools for the job -- editing controls with analog feel
The three rotary knobs let you tailor three different parameters at the same time. Control sensitivity, attack, and level for the compressor effect, or time, feedback, and mixing level for the delay effect. It's like having an array of stomp boxes ready for action. In play mode, the three knobs adjust cabinet character, drive effect tone, and patch level. This lets you quickly match the unit's performance to the bass guitar amp or room acoustics. Delay time and modulation rate settings can be made directly via the intuitive TAP key input.
40 ready to use preset patches for stage and studio
The unit comes preprogrammed with settings for duplicating well-known amps and stomp boxes, settings that are modeled on the signature sound of famous bass players, as well as totally original ZOOM effect sound creations. Right out of the box, you can enjoy professional-quality bass guitar sound. And for creative leeway, a user area capable of storing another 40 patches is also provided.
World's fastest patch change speed: 8 ms
The annoying slight muting interval of old when switching patches has been all but eliminated. With its record-setting speed of 0.008 seconds, the B2 series never misses a beat. For example, when changing from backing sound to a solo, you no longer need to press the switch slightly in advance. Simply push the foot switch and start playing the solo phrase. No more fear of losing the rhythm when making patch changes.
Built-in auto-chromatic tuner also supports multi-string bass
The bass guitar tuner can be called up instantly by pushing two foot switches together. High-brightness LED indicators make the note readout easy to see also on a dark stage. The calibration range is 435 to 445 Hz, and mute tuning without sound output is also possible.
ZNR keeps playing pauses really quiet
The built-in ZOOM Noise Reduction (ZNR) provides optimized performance for bass guitar. While minimizing any alteration of the original sound, ZNR shuts out unwanted noise in the playing pauses. Even the tails of long sustain notes come out beautifully, with natural release.
Integrated drum machine with PCM sound sources
Realistic drum sounds derived from PCM sources are arranged in a variety of rhythm patterns for different musical genres. The 40 rhythm variations include the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, and many more choices. Rhythm training on your bass guitar has never been more convenient.
Optional foot switch allows versatile remote operation
When the optional foot switch (FS01) is connected, tap tempo input of settings such as delay time and modulation rate is possible. Other selectable functions include bank switching, drum machine start/stop, and delay hold on/off switching.
Ultra low noise design: 120 dB S/N ratio and -100 dB noise floor
Specifications such as a signal-to-noise ratio of 120 dB and noise floor of -100 dB demonstrate a level of performance that is unsurpassed in this class. Background noise is a thing of the past, leaving the unit free to produce only its own superbly transparent sound. Especially when using reverb effects such as Hall, Room, or Spring, the low noise floor combined with 96 kHz sampling and 32-bit processing results in utterly transparent sound.
Sturdy metal chassis and rubber damping for superior toughness and durability
The combination of a solid metal chassis with shock-absorbent rubber damping ensures that the unit can stand up to the rigors of use on stage. Take it on the road or into the studio, the B2 series will not let you down. Its pleasing rounded shape, large bezel protecting the display, and chrome-plated switches and knobs are proof that there is no need to sacrifice good looks for toughness.
Two-way power allows use just about anywhere
Thanks to its circuit design optimized for low voltage operation, the unit will run for more than 6 hours on a set of four IEC R6 (size AA) batteries. A separately available AC adaptor (AD-0006) can be plugged in for extended studio work, but on stage you never need to worry about AC power.
Expression pedal adds further versatility to your guitar play
The built-in expression pedal is a great way to control effect parameters in real time. Set the mood with vintage wah, play a pitch shift, or adjust the volume. Or go beyond conventional pedal effects: adjust the mixing ratio of direct sound and synth/drive sound, or control the modulation rate. The dedicated PEDAL ASSIGN key and status LED indicators make it a cinch to select the effect to control. Effect on/off switching is also possible by pushing the pedal fully down.
XLR output allows direct connection to PA mixer for stage work
Standard XLR connector lets you establish a balanced link, to ensure degradation-free, clean sound transmission also over long cable runs. There is no need to use a DI box, even when you want to directly hook the unit up to a mixing console or PA system. The pre/post switch makes it possible to get the effect sound from the main output and the direct sound (bypassing the A/D converter) from the XLR output.
USB port enables computer recording
The USB port allows the unit to function as an audio interface for a computer. Simply connect a USB cable to utilize the high-quality sound of the B2.1u in a computer-based recording system. The superb "Cubase LE 4" DAW software comes bundled with the unit, so you can start creating sophisticated music straight away. Because playback from the DAW application can be monitored at the B2.1u itself, there are no latency problems during recording. Powering the unit from the computer via the USB bus is also supported.
What's in the Box
Zoom B2.1u Pedal, AC Adapter, User's Manual, Cubase LE Install Disc

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Electro-Harmonix Steel Leather Bass Expander Review

Electro-Harmonix Steel Leather Bass Expander
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I am very pleased with the purchase of the product arrived on time and just when it indicates amazon, thank you.

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Product Description:
Make your sound more dynamic with the Bass Nano Steel Leather Expander. This controllable percussive effect pedal from Electro-Harmonix enhances attack-a must-have for any musician wanting a harder-hitting bass sound.

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Electro Harmonix Bass Metaphors Compression/Distortion Pedal Review

Electro Harmonix Bass Metaphors Compression/Distortion Pedal
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I bought this as a bass preamp for a keyboard amp and it preforms well in that regard. The bassist in my band has also takin' to using it regularly for the compression and distortion.

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Product Description:
A distortion design melds with carefully selected compression and bass specific EQ to add tonality structure with a rock solid foundation. Channel strip design makes for easy setup and deadly tone.

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Boss ME20B Bass Multi Effect Pedal Board Review

Boss ME20B Bass Multi Effect Pedal Board
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This is an excellent effects board for an "on the go" bass player. It is compact and offers all the effects and adjustments a bass needs. The body is very strong so you dont have to worry about breaking a pedal. Boss is simply the way to go.

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Product Description:
Rock out live with amazing effects using the BOSS ME-20B Multiple Effects Guitar Pedal. The ME-20B is a powerful multi-effects unit optimized for live performance. Easy to use and road tough, the ME-20B provides effects like compressor, overdrive, distortion, T-Wah, phaser, flanger, chorus, delay, reverb, defretter, synth, and more.

Realtime operation Battery or AC powered - Included DC 9 V -Dry battery LR6/R6 (AA) type (alkaline) x 6 or Optional AC Adaptor (PSA series) AD Conversion -24-bit + AF method (Adaptive Focus method - improves the signal-to-noise (S/N) ratio of the A/D and D/A converters) DA Conversion -24-bit Sampling Frequency -44.1 kHz Patches -30 (user) Nominal Input Level -INPUT --10 dBu, AUX IN --18 dBu Input Impedance -INPUT -1 M ohm, AUX IN -22 k ohms Nominal Output Level --10 dBu Output Impedance -2 k ohms Display -7 segments, 2 characters LED Controls -SFX/1 pedal, COMP/2 pedal, DELAY/3 pedal, Expression pedal INPUT jack (1/4 inch phone type), AUX IN jack (Stereo miniature phone type) OUTPUT jacks L/MONO, R (1/4 inch phone type), PHONES jack (Stereo 1/4 inch phone type), FOOT SW jack (1/4 inch TRS phone type), AC Adaptor jack Current Draw -90 mA Expected battery life under continuous use -Alkaline -13 hours, Carbon -3.5 hours (Varies depending on the actual conditions of use) Options -Footswitch -FS-6, FS-5U, Connection Cable -Roland PCS-31 (Stereo 1/4 inch phone plug - 1/4 inch phone plug x 2) Width x Depth x Height -11-5/8 (294 mm) x 7-1/16 (179 mm) x 2-1/8 (54 mm) Weight -1.6 kg; 3 lbs. 9 oz.

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Aguilar Tone Hammer Bass Preamp Direct Box Review

Aguilar Tone Hammer Bass Preamp Direct Box
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I was searching for a preamp to power a new bass rig straight into a Crown PSA 2 back from the day. WOW, it gives me sweepable mid filter, awesome bass, awesome silky highs and a 2nd fuzz sound. Built like a tank. Powered with the ac adaptor and it is quiet as a whistle. A pre/post di out and ground lift switch built in. I have it up high on a music stand next to the music for a horn band I am in. No bending over and I can tailor the sounds on the fly, try that on the floor. My secret weapon to an old school custom rig that blows the doors off of most cabs I play in music retailers. I power a 15" sub with a mccauley subwoofer and a 15" celestion bass for full range. This rig now rocks. Time to buy the Aguilar TLC compressor. Buy with assurance that this thing rocks! Listen to the samples on the website and you'll be surprised. Bye Bye midi.....

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Product Description:
This preamp/direct box is so strong and powerful it could only be called the "Tone Hammer"! Based on the respected OBP-3 preamp, the Tone Hammer features fully sweepable midrange frequencies in addition to bass and treble controls. With the Tone Hammer's pristine D.I. you are set for the studio or the stage.To give this tone shaping unit the ultimate flexibility we are introducing our proprietary Adaptive Gain Shaping circuitry (AGS). AGS allows the player to kick in an additional gain structure and EQ with the "stomp" of a button. You can now go from modern slap sounds to vintage or overdriven.18 volt operation gives the Tone Hammer plenty of headroom to reproduce the most dynamic playing style. Separate "Gain" and "Master" controls allow you to dial in just the right gain structure for any instrument. The Tone Hammer is the essential preamp/direct box for every bassist's tool box.Specs:Pre/Post DIUnbalanced output can drive a power ampAGS circuitryCut and boost of treble, mid and bass frequenciesFully sweepable midrange frequenciesPowered by two nine volt batteries, phantom power or optional universal power supplyGround lift switchHeavy Duty steel constructionInputs: One 1/4" jackOutputs: One 1/4" jack, One XLR (nominal output - 14 dBu balanced)EQ:Bass +/- 18 dB @ 40 HzMid +/- 17 dB @ 180 Hz to 1 kHzTreble +/- 18 dB @ 4 kHzControls:Ground lift switchPre/Post DI switchEngage switchAGS switchWarranty: Three year limitedOptional: Aguilar Tone Hammer Universal 18 volt power supply

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BOSS GT10B Bass Effects Processor Pedals Review

BOSS GT10B Bass Effects Processor Pedals
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My review is bad cause the item arrived late and as I was only staying a week in the US the item arrived after I left. Now I dont know how to bring it home as the delivery is very expensive!

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Product Description:
Bass players can enjoy core processing muscle and flexibility with the GT-10B Bass Effects Processor, optimized for the low-frequency domain. The massive power of BOSS' latest DSP engine and COSM sound-modeling know-how are integrated to provide the most creative and essential features for bass. With Parallel Chain, Phrase Loop and EZ Tone onboard, the GT-10B takes its place as the most advanced-yet-friendly bass station on the market. Optimized for bass, with essential effects such as Overdrive/Distortion and Compressor/Limiter, the GT-10B provides top-quality sounds without sacrificing richness and bottom of the bass tone.Dimensions -Width 21-3/8 inches, Depth 10-3/4 inches, Height 3-1/16 inchesWeight -10 lbs. 13 oz.

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Digitech XBD Bass Driver Bass Overdrive/Distortion Pedal Review

Digitech XBD Bass Driver Bass Overdrive/Distortion Pedal
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I got the driver about two weeks ago. It's good for that fuzz sound. Stuff like the bass in Godzilla by Blue Oyster Cult. I do wish it had a little more variety sound wise. But it is fun to play with the fuzz sound that it provides.

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Product Description:
The Bass Driver™ features three different bass overdrive distortion pedal models to select from. Go from a light overdrive to all out Stonerrock Fuzz or morph in between.

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DigiTech BP200 Bass Multi-Effects Processor with Expression Pedal Review

DigiTech BP200 Bass Multi-Effects Processor with Expression Pedal
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Within it's class and price range, I'm giving it a five.
You'll end up paying a good 500-600$ to find anything better.

This has to be the quietest multi-fx I've ever used. Even the fuzz-wah doesn't give background hiss cranked up on my system. Except the buttons, it's all metal and pretty solid.

You can't edit effect parameters with the computer.

The pedal distance is pretty short and there's almost no resistance to it.

As has been said elsewhere, the fretless has quite a lag to it. Not useless, just a lag to get used to.

For the money, no hiss, metal body, a good selection of flavors, basic (and effortless to get going) drums and a pedal that can be assigned to about every parameter I can find.
It's the best unit in this price range, period.

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Product Description:
Bass Modeling Processor The BP200 is a revolutionary Amp Modeling/Multi-effects processor designed specifically for bass guitar. Under the hood of the BP200 is the powerful AudioDNA™ DSP processor, providing 16 bass amp and stompbox models and a host of other effects (22 total) for creating your own signature sound. The built-in expression pedal can be assigned to control your choice of parameters in real time. Each effect includes up to 3 adjustable parameters giving you the flexibility to create the exact sound you are looking for. The 6 character alpha-numeric display and 3 knob matrix based user interface provide simple, straight forward editing functions. The Rhythm Trainer is a great tool for polishing up your timing with your choice of different patterns, tempo, and adjustable volume level. A chromatic tuner lets you quickly check or tune your instrument to one of 4 different tuning references. The BP200 comes ready to use with 40 great Factory Presets, and includes 40 User Presets for your own custom creations. The rear panel features a single 1/4" input, a 1/4" TRS stereo output, 1/8" stereo headphone output and a 1/8" stereo Jam-A-Long™ input.

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DigiTech BP50 Bass Multi-Effects Processor Review

DigiTech BP50 Bass Multi-Effects Processor
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I have the RP250 and RP350 effects pedals from Digitech. Simply the best available for the money in my opinion. I started playing bass recently and thought I'd check out this little BP-50 unit. I realised its aging a little now and newer Bass effects units are available, but for the price, I was really only looking to dip my toes in the water so to speak. Anyway there is a reasonable set of pre-made patches and the ability to modify them. Not as easy as with the RP250/350 where you can hook up to a computer and modify, but nonetheless it can be done if you havew a bit of spare time. I was perhaps most impressed with the lack of white noise passed through the unit. Very clear sounds with little noise evident with most patches. Sure, it could be better, but its old-ish now and not the latest and greatest technology on offer, but good for an intro bass effects unit for the newer bass player.

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Product Description:
Bass Modeling Processor The BP50 is a feature-packed bass modeling floor processor. Our bass guitar-freak engineers built the BP50 with the great tone and effects you expect from DigiTech, including award-winning amp and cabinet modeling plus an arsenal of studio-quality effects designed specifically for the bass. The BP50 uses our AudioDNA™ DSP chip to ensure that both modeling and effects are world-class. Plus, 24-bit A/D/A converters ensure accurate tonal reproduction between inputs and outputs. And when we weren't looking, our fanatical engineers even snuck in a drum machine with 30 patterns, adjustable tempo and an easy-to-use 13-LED-array tuner. Then we made sure that the BP50's user interface was so simple a drummer could operate it (well most drummers, anyway).If you've drooled over our bigger BP Series models but didn't have that much cash in your jeans, get on down to your DigiTech dealer and score a BP50.

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MXR M288 Bass Octave Deluxe Effects Pedal, Blue Sparkle Review

MXR M288 Bass Octave Deluxe Effects Pedal, Blue Sparkle
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This is a really cool octave pedal. It's very adjustable for the amount of octave effect you want, with the girth & growl knobs plus a dry knob to let you keep some dry signal going to your amp if you run it at the instrument level. I prefer running through the effects loop of one amplifier, while leaving a totally dry signal going to a second amplifier. If you have 2 amps with at least one having an effects loop and a stereo chorus pedal, try this: plug your bass into the chorus pedal and then output to the 2 amps. Plug this octave pedal into the effects loop of one amp, and set the effects level around 30-40%. You'll be running a completely dry sound thru one amp, with the effect coming thru the other, with still some dry sound coming through that one as well. It's awesome, much better than running through one amp. Although I should point out it's also quite good with one amp. But the 2 amp deal is mind boggling. To quote a poet, it "will soon shake your windows and rattle your walls." Oh, and the adjustable range mid+ button is a cool feature as well...

Click Here to see more reviews about: MXR M288 Bass Octave Deluxe Effects Pedal, Blue Sparkle

Product Description:
MXR M288 Bass Octave Deluxe The M288 Bass Octave Deluxe is a dual-voice octave pedal from MXR Bass Innovations that offers organic analog tone, true bypass, and a wide variety of tone-shaping options. Powered by a single 9-volt battery, MXR's 18-volt Constant Headroom TechnologyTM (CHT) provides studio-performance headroom and superior tracking. Use the Dry knob to mix your direct bass signal with the octave effect, or hit the Mid+ switch to add up to +14dB of internally adjustable low-mid punch (400Hz) or midrange pop (850Hz). Bass players will love the two separately processed and individually voiced octave controls-Growl (for throaty, midrange octave-below tone) and Girth (for deep and smooth octave below). The Bass Octave Deluxe comes in a durable, lightweight aluminum casting and has the same high-quality jacks and switches that have made MXR pedals the road-ready standard on pedal-boards around the world for over 30 years.

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Zoom B2 Bass Multi Effects Pedal Review

Zoom B2 Bass Multi Effects Pedal
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I've been playing bass for twenty years.I've used a number of effects boards/pedals and I have to say I've been very impressed with the Zoom B2.The metal construction gives it a solid dependable feel when you take it out of the box.It just seems like it will survive on stage, unlike many of its plastic counterparts (including earlier zoom pedals).

It sounds awsome.I was not dissapointed. The effects are top notch.There are great presets that sound good as soon as you plug in.And of course there are many that are way over the top to the point I would consider them unusable, but if you dial back some of the more exotic effects you can get some very nice sounds.The amp/cabinet sims give a nice varity of tones and I like the compressor and chorus effects.

I was most skeptical of the built in drum machine and honestly I almost didn't buy the pedal because of this feature.It seemed so gimmicky and cheesey to put a drum machine in a bass pedal.I have to confess I love it.I dialed up a nice beat and just started jamming with it.It's a superb practice tool.The sounds and the beats are not cheesey at all.

I read other reviews from other forums and some people noted that its kind of hard to put it in bypass/tune mode.You have to hit both pedals at the same time.Unless you have very small feet (mine are size 9) or play barefoot, I can't see how this could be a problem.

So far I can't find anything I don't like about this pedal.

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Product Description:
The Zoom B2 Bass Multi Effects Pedal features the new ZFX3 processor loaded with 9 preamp/cabinet and 5 stomp box models faithfully accurate to the originals in every way.All this incredible analog emulating performance is achieved with no backgroundhiss(120dB signal to noise ratio) and extreme dynamic range (120dB), and there's more; 45 different effects (7 modules available per patch), 3 types of synth sounds, a Harmonized Pitch Shifter, acoustic bass and fretless, 6-band graphic EQ or 2-band parametric EQ, the world's fastest patch change, Auto Tuner, and an onboard PCM drum machine (40 patterns). Includes AC Adapter (also operates up to 7 hours on 4 AA alkaline batteries).Zoom B2 Features40 preset bass effects patches, 40 programmable memory patches7 effect modules with 45 effect types32-bit processing, 96kHz sampling rate24-Bit A/D, D/A convertersBuilt-in drum machine with 40 rhythm variations vIntegrated chromatic tunerSturdy metal chassisOperates on 4 AA batteries, or the included AC power adapter96 kHz sampling brings out the original sound character of the bassThe fundamental frequencies of an electric bass are about 40 to 600 Hz, but harmonics go all the way up to the ultrasonic frequency range. Many conventional pedal effects make the low end sound thin and lifeless. This usually is not only because of insufficient response in that range, but also because the harmonics are not handled properly.The B2 series from ZOOM makes such problems history. 24-bit resolution and a sampling frequency of 96 kHz ensure signal processing power on a par with the best rack-mount devices. The dynamic, wide-range bass signal retains its full impact, and the result is clear, powerful sound that remains a distinct presence also when playing in a band ensemble.ZOOM original 32-bit DSP ZFX-3The heart of any multi-effect device is its

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Dunlop 105Q Bass Wah Pedal Review

Dunlop 105Q Bass Wah Pedal
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Overall this is a good pedal.The sound is good and the Q control can create a good range of sounds.When you step off it, it goes to the full up position, and switches to bypass if left there for a half second or so.The bypass is excellent; I can't tell it's in the chain when I'm not using it.It has a strong metal housing, and you can easily put your full weight on it without hurting it.A metal gear strip attached to the platform turns a gear in the base, making for a very solid connection.

My biggest complaint is that the platform has a pretty limited range of motion-- 10 or 15 degrees at most.A little more range would make it easier to get some in-between sounds rather than full on or full off.While it's sound is quite good, I think there's still some room for improvement there as well.

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Product Description:
Wah Custom made just for the bass, the Ultimate Bass Wah features the proper EQ sweep for lower frequencies. You can get vocal-like tones and wacka-wacka sounds on the high or low end of the neck. Other features include increased pedal travel, silent, auto on/off switching (remove your foot from the pedal and the effect shuts off),'Q' control for variable wah intensity and a volume control with boost capability.Dunlop, maker of the Original Crybaby Wah pedal, has introduced the 105Q Ultimate Bass Wah. The 105Q Bass Wah incorporates a new, proprietary potentiometer and custom EQ circuitry specifically designed for bass frequencies. Together, these new, uniquely engineered elements provide smooth response and a fat, full bass tone.The 105Q Ultimate Bass Wah also includes Dunlop's celebrated Q control, which provides full control over the pedalis intensity and sound modeling. With the Q control, the player can select the exact wah tone desired, from bright and punchy to warm and subtle.Simply stepping on the pedal engages the effect in the lower register, creating a smooth transition into the wah effect. When you remove your foot, silent auto-off switching automatically bypasses the effect. The built-in spring automatically returns the pedal to its 'off' position.Also included in this pedal is an adjustable volume control, allowing you to tailor the level of the wah from almost silent to a significant increase, providing extra gain for wah-enhanced solos.The Dunlop 105Q Crybaby Bass Wah - There is no better way to funk up your bass.

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Tech 21 BSDR-DLX SansAmp Bass Driver Deluxe Review

Tech 21 BSDR-DLX SansAmp Bass Driver Deluxe
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I play in 2 bands and I typically use 2 to 3 Basses on stage depending on the band (and the stage). I have always fought with having to dial in the right tone for each Bass every time I switch Basses. The Tech 21 BSDR-DLX SansAmp Bass Driver Deluxe solves that problem. I can preset the 3 main tones I need for 2 Basses and when I switch basses, it just takes a split second to hit the footswitch and I have the exact sound I need. This thing is very easy to setup and has a boatload of other features. Besides the obvious XLR Direct out, it also has a 1/4" Parallel out that is pre-tone controls so you can send your unaltered Bass signal to a Tuner or in my case, another amplifier. It also has an effects loop so you can have your effects setup and just hit one switch and you have the tone you need plus the effects you need. There's a small learning curve and you need some time for trial and error with the tone controls and the drive, level and blend controls if your customizing your own sounds. You can also just use the stock sounds that come pre-programmed and it sounds great. I've had many compliments from band mates as well as fans in the audience about my sound since using the Bass Driver Deluxe. I would definitely recommend the Tech 21 BSDR-DLX SansAmp Bass Driver Deluxe for any Bassist. I would also recommend you buy the optional Tech 21 DC2 DC2 Power Supply.

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Product Description:
6-channel, dual input pre-amp, stomp box and DI all in one. Dial up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between.

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