Showing posts with label ear training. Show all posts
Showing posts with label ear training. Show all posts

Peterson VS-F StroboFlip Virtual Strobe Tuner Review

Peterson VS-F StroboFlip Virtual Strobe Tuner
Average Reviews:

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This is a great tuner. I wouldn't buy it to use on stage or in any playing situation, but doing intonation work as a guitar tech it works flawlessly. I run the Guitar Repair Institute and this little device is standard issue for every student that walks through our door.

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Product Description:
Whether you want to tune a harpsichord to a 200-year-old temperament for a specific piece of music or set the intonation on your guitars, the StroboFlip is the ideal tool!With its unparalleled 0.1 cent accuracy and myriad presets, this tuner can be used to tune or set up your instrument to its own particular needs, improving both the instrument and your sound. Dedicated Tuning Options for All GenresThe StroboFlip is the first tuner to feature Sweeteners™ - preset perfect fifth intervals for violin, viola or cello; perfect thirds for Dobro® or resonator guitars; tuning and intonation presets for the Buzz Feiten Tuning System® for guitar, bass, and acoustic guitar; and both Buzz and Peterson Sweetened settings for 12-string guitar. The StroboFlip also includes E9th & C6th pedal steel guitar presets, exclusive Peterson presets for the whole guitar family, and more!A long list of classic temperament presets such as Just Major, Just Minor, Pythagorean, 1/4 & 1/6th Comma Meantone, Werckmeister III, Kirnberger III, Kellner, Young, Vallotti and Rameau are also included. These temperaments are all root adjustable. A Pitch Holder™ mounting clamp, a Peterson TP-2™ clip-on tuning pickup, and a dedicated custom ultra-clean power supply rounds off this unbeatable tuning kit! The StroboFlip is the ultimate tool for obtaining the best sound out of your instruments!

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Korg OT-120 Wide 8 Octave Chromatic Orchestral Tuner Review

Korg OT-120 Wide 8 Octave Chromatic Orchestral Tuner
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I purchased this for tuning my violin and piano, assuming it would do a great job on the violin (it does) but was wary of how it would work on the piano.I had been using a Peterson Virtual Stobe tuner for years, using standard piano-tuning techniques and equipment, and preferred tuning to a strobe rather than to a needle or LEDs.But battery leakage had put my VS out of commission.With the Peterson VS having its own imperfections, and a new one now running 3-4 times the cost of the Korg OT-120, I decided to give the Korg a try.(I also purchased the clip mike just in case its built-in mike balked at some of the overtones on my older piano.)I now use the Korg OT-120 regularly, not only to tune my piano and violin, but also as a practicing aid for the violin.It's very responsive and useful in verifying that I'm hitting pitch.After a few months of use I can say that the Korg OT-120 has exceeded my expectations for ease-of-use, value, and effectiveness for tuning my violin and piano, and for practice (strings).The tone generator is useful for ear training as well as for tuning.The display is smaller than I'm used to on the Peterson, but then again the Korg is much more portable. The clip microphone has come in handy for tuning some of the trickier strings at the lower and higher octaves, but I don't need to use it very often.Although I prefer the strobe for how it linearly visualizes pitch adjustment, it took less than half a tuning session to re-adapt to a needle/LED style display.Note:The Peterson has a larger number of tuning temperments than the Korg, so if you're tuning for early music make sure to review the temperments available on the Korg before buying.Nor can you store custom temperments on it.

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Product Description:
Tune string and wind instruments in a flash with the OT-120, a new band and orchestral tuner that combines the accuracy of needle-type meters with superior functionality, wide tuning range and a new, sleek vertical design.


Superior functionality, wide tuning range and a new, sleek vertical design. Click to enlarge.
Dual display provides both a needle-type meter and an LCD for excellent visibility.
View control diagram. Click to enlarge.
Vertical Design and Superior Visibility
The Korg OT-120 chromatic band and orchestral tuner is intended for orchestral instruments, packing precise performance and sophisticated functionality in a vertical design that's easy to hold and operate. The Korg OT-120 features a dual-display, an easy-to-see needle-type indicator and a backlit LCD screen that shows the battery life, sound output level, calibration, as well as key and note name. Additional design features include a large dial that makes it easy to select the desired mode, soft-touch buttons and a rear-mounted stand that lets the band and orchestral tuner stand by itself. A sophisticated silver aluminum panel contributes to its sleek, new look.
Accurately Tune Orchestral Instruments Over a Wide Range
Since we developed the world's first meter-type tuner in 1975, the accuracy of Korg tuners has made them the choice of artists in all styles of music. With its wide tuning range extending from A0 to C8, the OT-120 lets you quickly tune any type of band instrument including, orchestra, wind, string, brass or piano. The Korg OT-120 also provides a wide range of calibration to support concert pitches in a range of 349-499 Hz (1 Hz steps).
Smooth and Precise Tuning
This band and orchestral tuner uses a high-precision needle-type meter to accurately indicate any pitch discrepancy. The speed at which the needle responds to the input can be changed over a range of three steps; you can choose fast, medium or slow speeds to match your tuning preference.
You can also choose from two tuning modes; Auto mode, which automatically detects the pitch of a single note you play on your instrument, or Manual mode, which lets you specify the desired note name. In Manual mode, the needle movement is shown in a range of 50 cents, letting you view the tuning discrepancy over a wide range. In addition to the excellent visibility unique to a needle-type meter, the LEDs located below the meter also indicate pitch deviation or a perfect match, making precise tuning easy even in dim locations.
Sound Back Mode for Tuning String or Wind Instruments
The OT-120 produces a reference tone in a five-octave range extending from C2 (65.41 Hz) to C7 (2093 Hz). You can switch the output level in two stages. The large speaker allows for more volume while not being obstructed even when using the stand, ensuring that the reference tone is clearly audible.
The OT-120 also provides Korg's proprietary Sound Back mode. This mode lets you connect an optional CM-100L contact microphone to the input jack, and automatically make the OT-120's speaker produce a reference tone for the note that is closest to the input pitch you play on your instrument. The meter will also indicate the input pitch, letting you tune using your eyes as well as your ears for greater accuracy--and also providing a great way to train your sense of pitch.
Support for Transposing Instruments and Historical Temperaments
For conveniently tuning any wind instrument, twelve types of transposing keys are provided in this band and orchestral tuner, including both sharps and flats. The Multi Temperament function provides eight presets that cover the most popular historical temperaments often used with period instruments. These are also ideal for checking unique temperaments used in classical music.
Long Battery Life
The OT-120 is designed for an extended battery life of approximately 100 hours when running on two AAA batteries. It can also be used with an AC adaptor (sold separately).
Soft Case Included
A durable, suede-tone soft case is included. Korg band and orchestral tuners purchased from a Korg USA authorized dealer now have a three year warranty.
What's in the Box
Korg OT-120 Orchestral Tuner, Soft Case, Two AAA Batteries, Owner's Manual

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Complete Bass Guitar by Ear: 2 CD Relative Pitch Ear Training Course (By Ear Audio Method) Review

Complete Bass Guitar by Ear: 2 CD Relative Pitch Ear Training Course
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I've been playing Bass for a year now, and I bought this two CD set (no book) hoping to really take my playing to the next level.

There are about 60 lessons in all, divided into Note Recognition, Finger Training, and Intervals.

The title is a bit deceptive, as the entire CD is based on a 4-string Bass, and has nothing to do with the 5th or 6th strings!

First, the good:The two CDs are good for helping you recognize different Bass notes and locating them anywhere on your Bass.You start with one string, find a note, then find another, until you can locate all the notes on that one string.Then you move onto the next string, until eventually you can find any note on any string. I find I can pick out notes more easily from songs and play along easier.(Unfortunately, this CD does not help at all with matching notes to what the guitarist is playing.)

The So-So:The Finger training exercises are really basic first-finger first-fret, second-finger second-fret exercise I didn't find useful at all, but maybe for a very beginner.The Interval training seems overly technical, and not really that useful for the playing Bassist.The author could spend more time explaining what these intervals are for! It does show you how to locate the same note on different strings I suppose. (The E on the open first string is also on the second fret at the third string, etc) but this will become quickly obvious to most Bass players who learn the notes on their Bass.

The Bad:The sound quality is good, but sometimes the sound drops out for a second or two, and some of the tracks sound like they were re-recorded over.Not a totally professional production.

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Product Description:
2 CD Relative Pitch Ear Training Course - LEARN EVERY NOTE ON YOUR BASS GUITAR COMPLETELY BY EAR! No written text or sheet music. Over 50 recorded lessons. A proven system that will help you develop a strong musical ear, finger strength, and an understanding of music theory for bass guitar. Just pop in the CDs and follow the lessons from your very first note to every note -on every fret -on every string of your guitar. 2 CDs Total running time: approx. 1 hour 40 minutes. ***COURSE LAYOUT ***AUDIOBOOK CD 1: Descriptive narration, beginner friendly, yet progressive. Starting with a short specified range of notes on the first string. A note is played and held while you match it on your bass guitar, (If you don't find it the first time, don't worry, eventually the narrator tells you what note is being played). The range of notes is progressively made larger, adding string after string, note combinations, and exercises. By the end of disc one the student has learned every note, and every note combination on every string of the bass guitar, plus some very essential music theory, and exercises for improving ones playing abilities. ***AUDIOBOOK CD 2: Less narration than disc 1, and more music. Disc 2 can be used two different ways. 1. You can play along with CD 2 to improve finding the notes you hear as well as building your musical ear. 2. You can listen to CD 2 anytime, anywhere to help train your musical ear. For example: If you want to memorize the sound quality of a minor third interval, you can put track 4 on loop and listen to the exercises that are played on all strings up and down the fretboard. Do the same for any interval! In the end you will have learned to play every possible note combination on your bass guitar, as well as identify them when you here them played in songs. ***FREE AUDIOBOOK TECHNICAL SUPPORT: With the purchase of "Complete Bass Guitar By Ear" you also gain the author, Mark John Sternal, as a teacher. If you ever have any questions pertainin

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Ultimate Ear Training for Guitar and Bass Review

Ultimate Ear Training for Guitar and Bass
Average Reviews:

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As a bassguitar teacher for almost 20 years now I have noticed that most advanced bassplayers have the tendency to play either "thinking" and "seeing". What I mean is: they look at a part and see, let's say, a C minor chord. Immediatly there is an association with the graphic on the neck like in little flashes. Or a complete scale. And they SEE all the options. But these options are often playedrandomly. So theoretically their lines are right but they sound bizar. It is because their knowledge of these graphics is not connected to the main thing: The Ear!
Gary Willis has written the method that I would have loved to have written. In this method he connects the ear to the knowledge that very often is already there. Finally someone wrote the book in which the basis of good improvisation is explained. Thanks Gary, this is gonna be my bible!

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Product Description:
This complete method for the practicing musician covers: intervals, rhythms and melodic shapes; inversions, scales, chords, extensions and alterations; fretboard visualization, fingering diagrams; and much more. The CD includes 99 full-demo tracks.

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